I had been looking forward to that getaway for months – a trip I wasn’t sure would materialize – and as I was driving that early morning, it was finally beginning to feel real. It was real. That patch of beautiful wild flowers featured in my title story, Frames… well, it was also real. Everything else is fiction, but the flowers were real, an out of place wonder covering a mound of dirt in an otherwise prosaic field by the freeway.
Some images stay with you… their impact makes you want to find out the story behind them or at least create one such story. By the time I reached my destination, a rough outline of a nameless story had already taken shape in my mind. But I had recently finished Albatross and needed a bit of a writing break, so I knew it was a story for another time.
A shot would easily take that patch of flowers out of its natural context and create an entirely different reality for the unknowing observer in another context. It could suddenly be a dreamy field of wild flowers instead of some wild flowers on top of dirt by the freeway. Reality reframed or just one frame of a bigger, more complex reality? The answer is a personal subjective choice.
Coincidentally, I took some poppy shots the other day. What an unexpected find, I thought to myself, blooming poppies in the wind, with the beach, a calm sea and a blue sky on the background. Some of you also liked the one I already posted. All sorts of positive words come to mind when thinking of those shots, especially considering the recent lockdown months. But… but what you don’t see in any of those photos, what I carefully avoided to include in any of those frames is the large pile of rubbish only a few steps away from those beautiful flowers. Thinking back, perhaps I should have included it, but I was too taken by the angle excluding it.
My point is, we go about doing this in many, if not all, aspects of our lives. We like to think we see the full picture, we have the full truth, when in fact we only have instances, a few frames on which we choose or are forced to build our judgement, conclusions and decisions. Sometimes we get it right, even by mistake… other times we ignore the background, we find a way to exclude the ugliness from the picture in order not to have to deal with it.
The same happens to my characters. They’re neither picture-perfect, nor horrid, but they might appear to be either one or the other, depending on the moment one interacts with them. But once the angle becomes wider and the background less blurry, does their behaviour become understandable and acceptable? That, too, is a personal, subjective choice…